Tybalt kills Mercutio and, in retaliation, Romeo rages and kills Tybalt, resulting in Romeo's banishment. When it is necessary or natural that the Prince or Lady Montague should speak harshly of him, it is done in his absence.
Mercutio does not seem to like the melancholy Romeo, and so wishes him to have fun, be merry and in good spirits, he does not want to see his friend sad or unhappy and so shows interest in his well being. Shakespeare builds up the tension in the play with Tybalt seeking revenge and the many incidents relating to the Montagues and the Capulets and finally releases it all in this one scene.
However Shakespeare also uses him as a foil to many of his characters. We can also see another characteristic of Mercutio in this scene. A visor for a visor. However, Romeo doesn't feel very close to her as he is unable to seek advice from her.
As with Capulet's wife, calling her "Lady Montague" is a later invention not supported by the earliest texts. Romeo - The son and heir of Montague and Lady Montague. When Mercutio diies the comedy stops right then and there. In the opening lines of Act 3 Scene 1 we can see some notification of what will happen later in the scene.
Mercutio seems to exist outside the two dominant spheres of Verona because he takes neither the world of love nor the feud seriously.
Mercutio is the very antithesis to Romeo. Mercutio contrasts his character so much, that the audience immediately hate him when he appears on the scene. Instead they are greedy and want more. Score 10 Points What do we learn from the final exchange between Montague and Capulet as the play ends.
Laurence does so by giving her a potion that puts her in a deathlike coma. Similar imagery creates a comic effect when Romeo falls in love at first sight with Juliet at the Capulet feast.
This links in with the idea of religion being a strong part of the play. The play becomes jolly to tragatedy. Desperate, Juliet begs Romeo's confidant, Friar Laurence, to help her to escape the forced marriage.
So he scornfully asks: In this scene we actually see for the first time Mercutio lost for words.
Both Gregory and Sampson appear to be friends of their master Tybalt's. Mercutio is saying that these people do not have the right to call anyone lazy especially their servants.
He lies on the floor of the Friar's cell, wailing and crying over his fate. The humor with which Mercutio describes his fatal wound confirms his appeal as a comic character: At his end, his bitterness overcomes his loyalty as he dies: Once again his imaginative language contrasts that of melancholy Romeo.
- The Role of Mercutio in Romeo and Juliet In William Shakespeare's Romeo and Juliet, each character plays a specific role in driving the action forward and shaping the play's theme.
One secondary character, Mercutio, is essential to the play. Mercutio is a showstopper. He's dirty, funny, out of control, and—we'll say it—compared to him, Romeo and Juliet can seem whiny and repetitive.
Mercutio is technically a minor character, but his personality has such a disproportionate impact that maybe he has to die or he would take over the play. In fact, English poet John Dryden said that Shakespeare himself admitted that he had to kill Mercutio—or. Nov 20, · Romeo and Juliet, obviously, are the main characters.
Other characters essential to the story are Friar Lawrence, Mercutio, Tybalt and Capulet.
Not. 'Loyal,' 'devoted,' 'funny' and 'witty' are just a few of the words that describe Romeo's best friend, Mercutio, in William Shakespeare's Romeo and Juliet. He is neither a Montague nor a Capulet, but he is more than just an interested party in the epic family feud.
In Shakespeare's Romeo and Juliet, Tybalt is a flat character, who consistently exhibits a nature that is belligerent, resentful, and obstinate. His first appearance in the play is in the opening. Shakespeare borrowed the characters of Tybalt and Mercutio from his source, Arthur Brooke’s Romeus and Juliet ().
But Shakespeare added Tybalt’s fight with Benvolio in the first scene, and made Mercutio’s role much bigger.Characterization of mercutio in shakespeares romeo and juliet